I hope that, somehow, an IMAX camera makes this trip.
When I viewed some pictures back that I had taken, there were interference 'orbs' in the pictures. I heard a couple days later that there had been a big solar flare around that time! I still wonder if the camera's CCD hadn't picked up a surge in cosmic rays shortly after the storm had subsided!
However, I got many similar blobs on that camera in all sorts of lighting conditions with no flash and sometimes no flash in dim lighting, too. And quite a few of them once in a dark Boeing 747 cabin over the Pacific at more than 40,000 feet! It's only ever been that particular camera. My newer compact Canon digital has never given me that phenomenon - and I've taken far more pictures under many more conditions than that old camera.
The RED is smaller, but is prone to artifacts caused by cosmic radiation. A recent IMAX documentary was shot on Station with the RED, but needed a ton of post production cleanup to deal with the cosmic radiation noise that was present in the footage. On a trip to the Moon the problem will be worse.
I saw something recently about an Israeli company that has come up with a radiation-reducing vest for astronauts (or tourists). Just make a vest for the camera!
Additional technical assumptions include that they can keep the LOX from boiling, the kerosene from freezing, the electronics healthy, and supply power from the Dragon to keep the second stage alive.
I hope that, somehow, an IMAX camera makes this trip.
I hope that, somehow, an IMAX camera makes this trip.
If James Cameron is, as has been speculated, one of the passengers then a professional-grade digital cinematography suite (possibly the camera on a boom mounted in the trunk feeding into recording and control apparatus in the pressure cabin) is a possible secondary payload. He's said that he wants to personally film the Moon for the third Avatar film.
Use a film camera.
Could SpaceX do an Apollo 8 style mission, entering lunar orbit, and then returning to Earth later? No, as the hardware currently exists. But the changes are not ridiculously complex.
First, what do you need? Looking at the numbers for Apollo 12, we see 3150 m/s for TLI, 880 m/s to enter lunar orbit, and 923 m/s to return to Earth. So we need 4953 m/s delta-V from LEO orbit.
To get this, we can use the second stage engine (ISP=348) and the super Dracos (vacuum ISP roughly 240). The division of labor helps even with the SuperDraco's worse ISP, since they don't need to push the empty second stage. To make this work, we'll need about 4 tonnes of Dragon fuel. This is more than they normally carry (1.3 tonnes) but they are only carrying two people. This gives a total Dragon mass of 11 tonnes. Additional technical assumptions include that they can keep the LOX from boiling, the kerosene from freezing, the electronics healthy, and supply power from the Dragon to keep the second stage alive.
The SpaceX website claims the Falcon heavy can push 13.6 tonnes to Mars. At a good conjunction, this needs about 3500 m/s of delta-V. Working backwards, assuming a 4.5 tonne empty second stage mass, they start with 33 tonnes of fuel. If they are only pushing 11 tonnes instead of 13.6, they will get 3890 m/s. This is enough for TLI and the bulk of the lunar orbit insertion. Assuming the empty Dragon + occupants = 7 tonnes, the Dragon adds 240*9.8*ln(11/7) = 1063 m/s. That's a total of 4953 m/s, just what is needed. The Dragon now needs to land in the ocean since there is no delta-V left for a propulsive landing, or even an assist.
I can't see SpaceX doing this since it would not lead to anything useful for Mars, nor even a lunar landing. But the technical changes are not massive. They will already need to work on insulation, and surviving radiation, for their direct-to-GEO capability. And swapping passengers for extra tanks is not unheard of. Long ago, I few a DC-9 between islands in Hawaii. I asked how they got it there since it does not have the range to fly from the mainland. The pilot said they took out a few rows of seats, added a temporary fuel tank, and flew them over.
Use a film camera.
Film takes up a prodigious amount of room, especially if you want to use IMAX film. And then you still have radiation issues to deal with.
Digital is the only way to go, and then just deal with the radiation induced artifacts in post-processing.
The RED is smaller, but is prone to artifacts caused by cosmic radiation. A recent IMAX documentary was shot on Station with the RED, but needed a ton of post production cleanup to deal with the cosmic radiation noise that was present in the footage. On a trip to the Moon the problem will be worse.