(...)
Therefore, why is there so much emphasis on dipoles and direct excitation via magnetrons, which are much more difficult to analyze, as opposed to coupling through symmetrically placed waveguides which are easier to analyze and more successful in producing the TE modes that have been promoted by Shawyer and Yang ?
(...)
... Did any of the loop excitation attempts put the plane of the loop parallel to the end-plates?...
I also wonder about the efficacy of trying to inject linearly polarized energy into a cavity that has a circular cross section. That may make sense in a rectangular waveguide, but not a frustrum. Squirting RF in from the sides would seem to me to excite all sorts of wierd patterns within the cavity as well. Did any of the loop excitation attempts put the plane of the loop parallel to the end-plates?
Dipoles are easy to describe in meep, but I would be eager to see what people have come up with for meep models of waveguide injection. Especially since that is what Shawyer used.
Frustrum geometry would make calculation of the impedance very "interesting".
I also wonder about the efficacy of trying to inject linearly polarized energy into a cavity that has a circular cross section. That may make sense in a rectangular waveguide, but not a frustrum. Squirting RF in from the sides would seem to me to excite all sorts of wierd patterns within the cavity as well. ...

(...)
Therefore, why is there so much emphasis on dipoles and direct excitation via magnetrons, which are much more difficult to analyze, as opposed to coupling through symmetrically placed waveguides which are easier to analyze and more successful in producing the TE modes that have been promoted by Shawyer and Yang ?
(...)Cost probably, Doc. Also the rectangular slot(s) are side-injected meaning a new frustum would have to be made if injection point needed to be changed. Hole plugging would be...uhhhh...not cool.
This is coming from an experimenter who didn't spend much time trying to design with a specific mode in mind...mainly because I'm not yet convinced any mode is better than another. It very well MAY be, it wasn't in my game plan to fire off one mode or another.
Part of the process we're going thru is to play around with different techniques and see which one launches thru the roof
(...)
Therefore, why is there so much emphasis on dipoles and direct excitation via magnetrons, which are much more difficult to analyze, as opposed to coupling through symmetrically placed waveguides which are easier to analyze and more successful in producing the TE modes that have been promoted by Shawyer and Yang ?
(...)Cost probably, Doc. Also the rectangular slot(s) are side-injected meaning a new frustum would have to be made if injection point needed to be changed. Hole plugging would be...uhhhh...not cool.
This is coming from an experimenter who didn't spend much time trying to design with a specific mode in mind...mainly because I'm not yet convinced any mode is better than another. It very well MAY be, it wasn't in my game plan to fire off one mode or another.
Part of the process we're going thru is to play around with different techniques and see which one launches thru the roof
I'm throwing my featherlike weight in with your argument that mode generation may indeed not be the most important thing-- at least, stable singular mode generation. I don't have a lot of experience with electromagnetism but I have a decent amount with acoustics; generally, the thing you want out of an acoustic system is high Q, so-to-speak, and resonance is one way to achieve that, but even a high-Q and high-resonance approach will not make for a proper-sounding acoustic system. Much of that is in the details of how the energy in resonance is directed by its container, and if the EMDrive effect thus observed is real, it seems more like that kind of a situation (i.e. "where and what shape should we put the sound-holes on this violin to guarantee stable tones and loud volume?" There is not going to be one vibrational mode generated in a violin, its resonance changes quite tangibly depending on the tone being played, but a nice violin will always play a bright tone with the proper undertones and overtones, which is the combination we want, not necessarily just power reflection and a certain resonance pattern.)
(...)
Therefore, why is there so much emphasis on dipoles and direct excitation via magnetrons, which are much more difficult to analyze, as opposed to coupling through symmerically placed waveguides which are easier to analyze and more successful in producing the TE modes that have been promoted by Shawyer and Yang ?
(...)Cost probably, Doc. Also the rectangular slot(s) are side-injected meaning a new frustum would have to be made if injection point needed to be changed. Hole plugging would be...uhhhh...not cool.
This is coming from an experimenter who didn't spend much time trying to design with a specific mode in mind...mainly because I'm not yet convinced any mode is better than another. It very well MAY be, it wasn't in my game plan to fire off one mode or another.
Part of the process we're going thru is to play around with different techniques and see which one launches thru the roof
I'm throwing my featherlike weight in with your argument that mode generation may indeed not be the most important thing-- at least, stable singular mode generation. I don't have a lot of experience with electromagnetism but I have a decent amount with acoustics; generally, the thing you want out of an acoustic system is high Q, so-to-speak, and resonance is one way to achieve that, but even a high-Q and high-resonance approach will not make for a proper-sounding acoustic system. Much of that is in the details of how the energy in resonance is directed by its container, and if the EMDrive effect thus observed is real, it seems more like that kind of a situation (i.e. "where and what shape should we put the sound-holes on this violin to guarantee stable tones and loud volume?" There is not going to be one vibrational mode generated in a violin, its resonance changes quite tangibly depending on the tone being played, but a nice violin will always play a bright tone with the proper undertones and overtones, which is the combination we want, not necessarily just power reflection and a certain resonance pattern.)
(...)
Therefore, why is there so much emphasis on dipoles and direct excitation via magnetrons, which are much more difficult to analyze, as opposed to coupling through symmerically placed waveguides which are easier to analyze and more successful in producing the TE modes that have been promoted by Shawyer and Yang ?
(...)Cost probably, Doc. Also the rectangular slot(s) are side-injected meaning a new frustum would have to be made if injection point needed to be changed. Hole plugging would be...uhhhh...not cool.
This is coming from an experimenter who didn't spend much time trying to design with a specific mode in mind...mainly because I'm not yet convinced any mode is better than another. It very well MAY be, it wasn't in my game plan to fire off one mode or another.
Part of the process we're going thru is to play around with different techniques and see which one launches thru the roof
I'm throwing my featherlike weight in with your argument that mode generation may indeed not be the most important thing-- at least, stable singular mode generation. I don't have a lot of experience with electromagnetism but I have a decent amount with acoustics; generally, the thing you want out of an acoustic system is high Q, so-to-speak, and resonance is one way to achieve that, but even a high-Q and high-resonance approach will not make for a proper-sounding acoustic system. Much of that is in the details of how the energy in resonance is directed by its container, and if the EMDrive effect thus observed is real, it seems more like that kind of a situation (i.e. "where and what shape should we put the sound-holes on this violin to guarantee stable tones and loud volume?" There is not going to be one vibrational mode generated in a violin, its resonance changes quite tangibly depending on the tone being played, but a nice violin will always play a bright tone with the proper undertones and overtones, which is the combination we want, not necessarily just power reflection and a certain resonance pattern.)
Basicaly what you say is that we may need a musician and a scientist that understand music waves and instrument manufacture and also understands all kinds of waves in science to try to understand the emdrive. However, we know from EW tests that they observed thrust in vacuum as well. Still interesting idea
Also in this image look at the mode generation. https://drive.google.com/file/d/0B1XizxEfB23tYVNDalhQel9tZ3c/view
If we put an antenna 1/4 from the top or bottom the cavity natural resonance mode generation will not be at the same place as the antenna and cause inter-modal actions decreasing the Q as they build and collapse.
It makes sense to place the antenna center frustum parallel to the bottom in this mode TE013 and for other modes you need to know the mode pattern to properly place if your going to use a dipole.
This way you're adding to the Q not causing a degradation.
Make sense?
Shell
I wanted to point out that this image is of the group B-field and not the E-field because the maximum touches the metal walls. This paper here: http://cas.web.cern.ch/cas/Denmark-2010/Lectures/Wolski-2.pdf page 25 they point out that at the metal walls E_tangent=0 and but B_tan doesn't have to be zero. The group electric maximum of light inside the cavity should be at the magnetic nodes which look to be at about 1/4 wavelength (or the empty spots between the magnetic fields).
The antenna then does work against this electric field to store energy in the cavity. I think at mid cavity it might do negative work when trying to inject a signal and store energy in the current in the antenna instead of the cavity. Hopefully I am not too far off here.
P.S. I think it is supposed to be desirable to have the shape of the antenna in the shape of the current flow desired to be generated. Transverse electric/TE being a loop or loops parallel to the plate and TM being vertically orientated loops. This appears to be TM.
I guess your antenna looks about right but I am not sure what it should look like in 3 dimensions. Also to match the magnetic field the current would have to be going in at the same time on both antenna ends unlike in the animated video of the antenna.
I would agree with you but to see what is really happening you need to look at the frustum in X,Y and Z slices and tell me how many modes of operation do you see. https://drive.google.com/drive/folders/0B1XizxEfB23tbVYwc1Nsa29yZlk
(...)
Therefore, why is there so much emphasis on dipoles and direct excitation via magnetrons, which are much more difficult to analyze, as opposed to coupling through symmerically placed waveguides which are easier to analyze and more successful in producing the TE modes that have been promoted by Shawyer and Yang ?
(...)Cost probably, Doc. Also the rectangular slot(s) are side-injected meaning a new frustum would have to be made if injection point needed to be changed. Hole plugging would be...uhhhh...not cool.
This is coming from an experimenter who didn't spend much time trying to design with a specific mode in mind...mainly because I'm not yet convinced any mode is better than another. It very well MAY be, it wasn't in my game plan to fire off one mode or another.
Part of the process we're going thru is to play around with different techniques and see which one launches thru the roof
I'm throwing my featherlike weight in with your argument that mode generation may indeed not be the most important thing-- at least, stable singular mode generation. I don't have a lot of experience with electromagnetism but I have a decent amount with acoustics; generally, the thing you want out of an acoustic system is high Q, so-to-speak, and resonance is one way to achieve that, but even a high-Q and high-resonance approach will not make for a proper-sounding acoustic system. Much of that is in the details of how the energy in resonance is directed by its container, and if the EMDrive effect thus observed is real, it seems more like that kind of a situation (i.e. "where and what shape should we put the sound-holes on this violin to guarantee stable tones and loud volume?" There is not going to be one vibrational mode generated in a violin, its resonance changes quite tangibly depending on the tone being played, but a nice violin will always play a bright tone with the proper undertones and overtones, which is the combination we want, not necessarily just power reflection and a certain resonance pattern.)
Basicaly what you say is that we may need a musician and a scientist that understand music waves and instrument manufacture and also understands all kinds of waves in science to try to understand the emdrive. However, we know from EW tests that they observed thrust in vacuum as well. Still interesting ideaThat's one of the key differences between sound and RF. Sound is a vibration of a medium, such as air. RF only needs a vacuum. Any other medium can attenuate the RF, moist air, liquids, buildings etc.,
Now, the big questions is what does the vacuum consist of to be able to be a "perfect" medium for electromagnetic waves? Aether or empty? Now, that gets a lot of discussions started.
...
I wished I knew what Davies used for his modeling of the resonate wavechart. Then we could match the best preforming frustums (at this time it's waveguide insertion) to the different sizes. One thing I gleaned from looking at the chart is the frustum being injected with a 2.45GHz (top yellow oval Band Width oval) and how many modes interacted. Interesting to note here why did Davies only plot out and label the TE modes?
Need another cup of coffee and will write more later.
Shell

It is known that
(I am not sympathetic with Shawyer and Yang's "theories", but I don't understand the apparent divergence between Shawyer and Yang's predilection for TE modes vis-a-vis the DIY discussion regarding magnetrons or dipoles or loops which are difficult to analyze and therefore will result in more difficult to predict excitation mode shape of the cavity). Yang (who claims the highest thrust force per input power) has been using coupling through waveguides and Shawyer in his latest papers has also been suggesting coupling through waveguides.
(...)
Therefore, why is there so much emphasis on dipoles and direct excitation via magnetrons, which are much more difficult to analyze, as opposed to coupling through symmerically placed waveguides which are easier to analyze and more successful in producing the TE modes that have been promoted by Shawyer and Yang ?
(...)Cost probably, Doc. Also the rectangular slot(s) are side-injected meaning a new frustum would have to be made if injection point needed to be changed. Hole plugging would be...uhhhh...not cool.
This is coming from an experimenter who didn't spend much time trying to design with a specific mode in mind...mainly because I'm not yet convinced any mode is better than another. It very well MAY be, it wasn't in my game plan to fire off one mode or another.
Part of the process we're going thru is to play around with different techniques and see which one launches thru the roof
I'm throwing my featherlike weight in with your argument that mode generation may indeed not be the most important thing-- at least, stable singular mode generation. I don't have a lot of experience with electromagnetism but I have a decent amount with acoustics; generally, the thing you want out of an acoustic system is high Q, so-to-speak, and resonance is one way to achieve that, but even a high-Q and high-resonance approach will not make for a proper-sounding acoustic system. Much of that is in the details of how the energy in resonance is directed by its container, and if the EMDrive effect thus observed is real, it seems more like that kind of a situation (i.e. "where and what shape should we put the sound-holes on this violin to guarantee stable tones and loud volume?" There is not going to be one vibrational mode generated in a violin, its resonance changes quite tangibly depending on the tone being played, but a nice violin will always play a bright tone with the proper undertones and overtones, which is the combination we want, not necessarily just power reflection and a certain resonance pattern.)
Basicaly what you say is that we may need a musician and a scientist that understand music waves and instrument manufacture and also understands all kinds of waves in science to try to understand the emdrive. However, we know from EW tests that they observed thrust in vacuum as well. Still interesting ideaThat's one of the key differences between sound and RF. Sound is a vibration of a medium, such as air. RF only needs a vacuum. Any other medium can attenuate the RF, moist air, liquids, buildings etc.,
Now, the big questions is what does the vacuum consist of to be able to be a "perfect" medium for electromagnetic waves? Aether or empty? Now, that gets a lot of discussions started.
Well, we may start by someone giving an example of a completely closed acoustic cavity that can experience self-acceleration (as claimed for the EM Drive). I don't know of any such case. Acoustic tapered cavities don't experience self acceleration, one can show that the momentum in such a completely enclosed cavity is self-cancelling.
The trombone and other wind instruments selected as examples in previous discussions are akin to open waveguides, not to completely closed cavities.
Ditto for a loudspeaker: you will not be able to to hear a loudspeaker located inside a completely enclosed cavity that does not let any air in and out of the enclosure, if you are outside the enclosure.
added: I once said give me a hole and I'll give you thrust but I've finally settled on that this is truly a enclosed frame and there is no hole.