This doesn't sound goodhttps://youtube.com/watch?v=lMjPhN6brzgQuote from: sanman on 06/02/2025 05:01 amActor Anton Lesser (Major Leo Partagaz) says Gilroy referenced Jean LeCarréhttps://youtube.com/watch?v=Quote from: sanman on 06/02/2025 05:16 amInteresting details about what might have beenhttps://youtube.com/watch?v=-UaRCZ_hF348xY7cA_W7EU
Actor Anton Lesser (Major Leo Partagaz) says Gilroy referenced Jean LeCarréhttps://youtube.com/watch?v=Quote from: sanman on 06/02/2025 05:16 amInteresting details about what might have beenhttps://youtube.com/watch?v=-UaRCZ_hF348xY7cA_W7EU
Interesting details about what might have beenhttps://youtube.com/watch?v=-UaRCZ_hF34
Then consider the 2 seasons we just saw to be an abridged version.
Quote from: sanman on 06/02/2025 04:37 amThen consider the 2 seasons we just saw to be an abridged version.It cost $650 million for two 12-episode seasons, or around $27 million per episode. From what I've heard, that's about what big budget prestige sci-fi TV shows cost. I think the per-episode cost for Game of Thrones was around that, and I think I've heard that Strange New Worlds also costs a lot, although I have a hard time believing that SNW costs that much because they use the Volume rather than location for a lot of their planets. Update: I just looked it up and I was way off. GoT cost about $15 million per episode by its last season, and SNW is estimated to be around $3.5-4.5 million per episode. So yeah, Andor cost a lot of money.I'm not surprised that Disney doesn't want to continue spending that kind of money. Now if they get a bunch of Emmy nominations and wins, that would be good. But streaming is a dubious business.
I think Disney streaming is on its way out. Disney is trying to survive by recently adding more streaming outlets, such as ESPN and Hulu, to maintain its revenue. When you see this occurring (watering down content), then they are struggling.
I think Disney streaming is on its way out. Disney is trying to survive by recently adding more streaming outlets, such as ESPN and Hulu, to maintain its revenue. When you see this occurring (watering down content), then they are struggling.News outlets reported layoffs at Disney's streaming divisions yesterday. Consequently, reductions in streaming have begun. Ahsoka Season II will likely be the last series to stream, and Mandalorian Season 4 has been canceled. No further streaming series is scheduled. Lucasfilm is currently hiring more staff in the animation departments. The assumption is that Disney is reverting to a post-2018 strategy focused solely on movies and animation. It's not just Star Wars that is affected, but Marvel as well.
own internal political instincts of scapegoating. Bad creative decisions were made, causing money to be wasted on bad productions. Because streaming series have larger budgets, that meant the bad creative decisions resulted in more wastage, as compared to bad creative decision-making on movies. The solution is to vet ideas better and with a more critical eye, to avoid the bad creative decisions that can result from their corporatized process. The solution is not to retreat from the newer better platform that offers the viewer a better experience. The viewers will continue to stay loyal to their own interest, which is guided by having a better experience. If Disney throws away the opportunity, then somebody else will come forward to claim it.
I think their problem, at least when it comes to streaming, is not that they made bad creative decisions, but they made bad corporate decisions that led to bad creative decisions. By that I mean that they decided that they needed a bunch of new shows (both Star Wars and Marvel)--which was a corporate money decision--and so they approved shows that were lower quality than they should have. That watered down their brand. Bob Iger essentially said that when he came back, although I wonder how many of those decisions had been set in motion before he left?
Game of Thrones is an interesting example because HBO already had a pretty good reputation before that, but GoT raised them to a high level. People talked about HBO as prestige television, and that may have gotten them subscribers just based upon their reputation. Disney has a different reputation, not so much "prestige" TV as family entertainment, cartoons, Pixar, and then certain brands like Marvel and Star Wars. Andor might be earning them some good reputation points that may pay off in other ways, but there's no good way to know that now.
Also, look how many series they approved. (Marvel: Eternals was over-hyped crap. Moon Knight? Who the hell asked for that?) Let's take a look at how many Star Wars series were (are still) approved for development:
Andor is also not quite family entertainment (protagonists murder people, sometimes seemingly at random, attempted sex assault scene, lots of violence, tense emotional scenes, mature content, etc) whereas Disney has made its reputation on easy family entertainment choices. Andor is not quite as merch-friendly, like offering up Kenner action-figures, or Baby Yoda/Grogu plushies, etc. But then neither was Game of Thrones.Bottom line is that if giants like Disney bails on streaming, then others who do stay in will be reaping the eyeballs and the buzz, relegating Disney into the background with family entertainment. Maybe that's where they deserve to be.
https://variety.com/2025/tv/news/andor-creator-disney-budget-streaming-dead-1236416780/
Quote from: Blackstar on 06/04/2025 12:26 amhttps://variety.com/2025/tv/news/andor-creator-disney-budget-streaming-dead-1236416780/Paywall, could you please have AI summarize this? I assume what I predicted is coming true: that Lucasfilm's streaming for Disney is ending. I agree with you that Disney+ has its place and will continue to do so. What I meant before was just the Star Wars franchise going to Movies and Animation.
"Andor" creator Tony Gilroy recently disclosed that Disney executives told him "streaming is dead" during negotiations for the show's second season. This revelation came despite Disney reportedly investing a massive $650 million in the 24-episode "Star Wars" prequel series.Speaking at the ATX Television Festival, Gilroy shared that while he enjoyed significant creative freedom on the first season, discussions around the budget for season two were more challenging due to Disney's evolving perspective on the streaming market. He indicated that the sentiment from the company was that "we don't have the money we had before."Despite this, the critically acclaimed series, lauded for its mature themes and high production quality (averaging roughly $27 million per episode), proceeded with its significant budget. Gilroy suggested that a project with the scale and creative liberty of "Andor" might be a rarity in the future given the shifting streaming landscape.This insight into Disney's internal discussions hints at a potential recalibration of its streaming strategy, possibly involving a renewed focus on theatrical releases and more budget-conscious streaming productions as the company re-evaluates the economics of its direct-to-consumer services.