...He also raises an interesting point about private donations--when people donate to the Smithsonian, they are donating to the Smithsonian, because of its reputation and prestige and resources and home in the nation's capital. But if a budget law can subsequently redirect artifacts to other institutions--including private ones--then it decreases the attraction of donating to the Smithsonian. I mean, what prevents a senator from putting in a bill that the Smithsonian has to move an artifact to a museum that is privately run by that senator or one of his major donors?
Quote from: Blackstar on 01/06/2026 08:14 pm...He also raises an interesting point about private donations--when people donate to the Smithsonian, they are donating to the Smithsonian, because of its reputation and prestige and resources and home in the nation's capital. But if a budget law can subsequently redirect artifacts to other institutions--including private ones--then it decreases the attraction of donating to the Smithsonian. I mean, what prevents a senator from putting in a bill that the Smithsonian has to move an artifact to a museum that is privately run by that senator or one of his major donors?The Shuttle was the property of the US government until it was give to the Smithsonian, so they will try to argue that the US government can still somehow take it back. There is no reason to think that would also extend to private property donated by a private person to the Smithsonian.
I'd like to see a court tell Congress to pound sand on this. Once title has been transferred, they should no longer have the ability to claw it back.
One primary question is how they're going to move the orbiter? On the landing gear? If not, then they're going to need the Overland Transporter (OLT) which I think is still in California Science Center's possession as it was used to move Endeavour from LAX to the CSC. And the know-how to raise and stow the landing gear which required a special GSE cart called the "mule" which supplied the necessary hydraulic pressure. And also a lifting frame to mate/demate the orbiter to the OLT.
Terry White, who worked on the shuttles from 1978 through the end of the program in 2011, and helped maintain the thermal protective tiles, said they are “more fragile than an egg shell” and extraordinarily expensive to replace — a single one can cost thousands of dollars. The equipment to move the shuttles has also long been retired.White said that he does not think the Smithsonian deserved the shuttle — he would have picked Ohio’s Air Force museum — but short of teleportation, he said, “there’s no easy way to move them.”He is not so convinced that Artemis will meet the appetite from Texas lawmakers or those who felt Houston was overlooked. “They already have previous space capsules,” he said, adding, “that’s nothing compared to the size of the orbiter.”“I don’t think they would turn it down,” he said, “but they won’t be impressed that they just got something that went a loop around the moon and came back.”
White said that he does not think the Smithsonian deserved the shuttle ...
Quote from: StraumliBlight on 01/10/2026 06:10 pmWhite said that he does not think the Smithsonian deserved the shuttle ...That statement is unbelievable. The premier museum system in the country doesn't deserve it??? It's a great display. I went there three times to see it, and I live over 2,000 miles away.
I was told by a person who had worked at both NASA and the Smithsonian that he really did not like the Florida proposal, because they knew that it would produce stress cracks on the shuttle's frame. He was quite angry that they were displaying an artifact in a way that they know will damage it.
Some other details from memory: Both the LA and Florida proposals had to pay for transportation to the sites. The NASM did not pay for transportation. (I vaguely remember being told that a-that would wipe out the Smithsonian's space department budget, and b-it might not have been legal for the Smithsonian to pay the government. But my memory could be wrong.)
You've mentioned this before, do you have any written source that describes the concern?
NASA flew that shuttle on its transport aircraft on a "farewell tour" over several US cities, ending with Washington DC, where it finally landed at Dulles. (I was on the roof of our building in Chantilly with a view of the runway.) "Transportation" consisted of using a crane to lower the shuttle from the 747 onto the runway and rolling the shuttle into its display location inside the Udvar-Hazy hangar adjacent to the taxiway.
Quote from: DanClemmensen on 01/11/2026 12:56 amNASA flew that shuttle on its transport aircraft on a "farewell tour" over several US cities, ending with Washington DC, where it finally landed at Dulles. (I was on the roof of our building in Chantilly with a view of the runway.) "Transportation" consisted of using a crane to lower the shuttle from the 747 onto the runway and rolling the shuttle into its display location inside the Udvar-Hazy hangar adjacent to the taxiway.It cost money to fly it to Dulles. And somebody had to pay for the large cranes. There were moving costs. Things are not free. The two other locations had to pay for their own transportation costs, NASM did not.
But it is mounted on an angle. It was not designed to be mounted on an angle for years.
"But practically, the damage is done. Generations of public officials and private donors have entrusted priceless cultural artifacts to the Smithsonian believing that this independent organization is shielded from the intrigue and idiosyncrasies of everyday DC politics. Now, Cornyn and Cruz’s maneuvering might have broken that aegis, which bodes poorly for both the Smithsonian’s current collection and the generosity of future donors. If Kansas’s tourism numbers are a little low, what’s to stop Senator Jerry Moran from shipping Dorothy’s ruby slippers to Topeka? If Muhammad Ali had known Congress could transfer Smithsonian artifacts to a private entity, would he ever have entrusted it with his prized gloves and robe?"
Quote from: ccdengr on 01/11/2026 12:55 amYou've mentioned this before, do you have any written source that describes the concern?No. I don't have any of the blueprints or planning documents for the exhibit. But it is mounted on an angle. It was not designed to be mounted on an angle for years. Where do you think the stress is on that frame? It's not up and down, it's on an angle.